Mass media and artistic practice: history and critical assessment. Insight into the concept of interface, hypermedia, and cyber culture. Development of transmedia narrative structures. Analysis and development of artistic projects based on communication media. Collaborative processes, interaction, and co-authorship in the context of the new media. Applications and environments for the new media as a support for artistic projects.
Under the current frame of contemporary artistic practices and starting from a critical history of the New Media, his own archeology, the process of conceptualization, development and implementation of projects of a New Media and Transmedia have participated and participate in the evolution of modes to see and have gone thus building a different look and an expanded sense of aesthetic experience and understanding of this effect. Concepts and complex tools like (and) Transmedia, and therefore new media (digital or not), have emerged as current areas of research and experimentation, fertile and expanding for authorship, creativity, distribution and environment and potential tools for exploitation and monetization of educational, cultural, political, social and informative content.
The close connection, and increasingly undifferentiated relationship with digital technologies and certain ways of what has come to be known Cibercultura suposes for objects and Hypermedia, New Media and Transmedia products (cosmetic or not) a projection of future solid guaranteed, and convergent evolution and hyper transmedia platforms. The post-industrial and information technology companies have found multiple technology media tools as well as in the Transmedia projects related to this new culture, the ideal knowledge vehicle for the expansion and consolidation of a theoretical model, ideological , aesthetic and productive oriented to global from local (glocal); a model that tends strongly towards the collaborative and participatory; a model with a potential end service to society, but also a tool for the generation and exploitation of extensive and intensive contents.
Definitely a more open model as well as general, evolutionary and possibly more humane and sustainable: facing humanity that tends to the intangible in the account of his evolution, also in their ways of living, building and thinking.